Alex Adsett Publishing Services is a full service literary agency, representing quality works of fiction and non-fiction for children, teens and adults. We also provide freelance consultancy services for Australian publishers and authors, including commercial review of publishing contracts.

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Pitching opportunities in a time of COVID

I am pretty clear on my submission guidelines that authors who would like to submit to the agency need to have met a few criteria – they need to be recommended by someone I know and trust (Sidenote #1 this means you have to ask someone I know to actually get in touch and recommend you, not just have vaguely mentioned my name one time), or they need to have met me somewhere and had a bit of a chat. This includes formal pitch sessions, at a pre-book launch mingle, or over the morning tea cupcakes at a conference. (Sidenote #2: if you’re an emerging author who has been bumping into me at conferences for years, this counts as an invitation to pitch!) .  I understand that event cupcakes and in-person book launches are not as available as they were before, but there are still plenty of online opportunities to meet me, or many industry people, if you keep an eye out for them.

I have been getting a lot of submission queries about how people can meet me, and while this is a little frustrating because I’ve been doing so many online events,  I thought I would do a shout out for a Pitching Workshop that New England Writers Centre and I have just agreed to move from in-person to online, and open it up to everyone. There are just a few spots, but book in for this Thursday 13th August from 4 – 6.30pm, and get an overview of agents, publishing, pitching, and the chance to pitch your manuscript to the room for feedback.

The Perfect Pitch with Alex Adsett

Thursday 13th August 4 -6.30pm

Hosted by New England Writers’ Centre

This will probably be my last one of these until November, although I’m also appearing online at Romance Writers Conference this weekend, talking about The Top Ten Tricks and Traps of Publishing Contracts.

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Lack of diversity in Australian publishing

ToniM-01 if you are free“If you have some power, then your job is to empower somebody else” – Toni Morrison

Like everyone, I have been shocked and horrified by the violent racial discrimination exploding once again in the US, and shamed and horrified by the ongoing racial discrimination here in Australia. I have not been silent about it, but I know there is always more I could be doing to help stop the discrimination.

In my industry of publishing, there is some acknowledgment of the lack of diversity in what is published, with earnest attempts to redress the balance, but much more, of course, needs to be done.

As an agent, I believe stories have the power to make a difference, and while I have been looking for diverse stories and authors since I started, I want to make it clear that despite my officially closed submissions, the door is always open to authors from different backgrounds to the mainstream of Australia – First Nations, authors of colour, authors from different cultures, neurotypical authors, authors with disability, authors from varied socio-economic circumstances. I want a great story, told well. I want stories that will change the world for the better. And I want to work with authors who have those stories.

Saying that, we can’t admit the unequal representation of diverse authors, without also confronting the publishing industry itself is even more lacking in diversity.  So, for what it is worth, if any people of colour, First Nations, or anyone outside neurotypical, affluent, white suburban Australia wants to chat about career options in the publishing industry and ways to break in, please get in touch and I would love to find time for a call or email.

There are some amazing groups and initiatives trying to support diversity in the publishing industry, so I’m just adding my voice to offer advice if it might be helpful to anyone.  Please get in touch if this might be you. I’m not in a position to be hiring anyone, but talking about the industry I love, its problems and joys, is some small thing I can do.

  • If you’re interesting in chatting about a career in publishing, email me at alexadsett[@]alexadsett.[com.]au.
  • If you’re an author who fits the submission criteria, please following the submission guidelines here and email agent[@]alexadsett.[com.]au.

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Smashed Avocado TV Deal

SmashAvocado_launch-6 (003)Alex Adsett Publishing Services is delighted to announce the sale of film and television rights for Nicole Haddow’s Smashed Avocado: How I Cracked the Property Market and You Can Too (published by Nero) to the incredible team at Good Thing Productions.

The sale was brokered in 2019 via literary agent Alex Adsett as part of a three-way auction. Good Thing Productions are the film and television company behind last year’s powerful documentaries, 2040 and The Australian Dream. They look for compelling storytelling to reach a wide audience and empower change.

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Film Option for The Giant and the Sea

Australian Production Company Like A Photon Creative has optioned The Giant and the Sea and will look to make it into a short film.

A timely and powerful take on climate change, standing up for what you believe in, and the power of hope.

the-giant-and-the-seaHachette Australia’s forthcoming picture book, The Giant and the Sea by Trent Jamieson and illustrated by Rovina Cai, has been optioned for film by award-winning Australian production company Like A Photon Creative. The team plan to develop The Giant and the Sea into a short film for international release. The film option was negotiated by agent Alex Adsett.

Perfect for the children and adults of the Climate Strike, this is a lyrical and deeply moving story about climate change, standing up for what you believe in, and the power of hope.

A giant stands on the shore, watching the sea. She never moves, never speaks, until the day she turns to a little girl and says, ‘The sea is rising.’
The brave girl takes the message to the town. But when the people refuse to listen, the giant must find another way to save them.
The lyrical text is perfectly captured through the illustrations of award-winning artist, Rovina Cai, and promises to be an exceptional animation when adapted for the screen.

Agent Alex Adsett, who represents both the author and illustrator on this project, says:

The moment this story arrived in my inbox, I knew it was something special. Trent Jamieson was already one of my favourite Australian authors, and with The Giant and the Sea, I just had to be the agent taking it on. Introducing the incredible Rovina Cai to the book as illustrator was another dream come true, and after years of waiting, nothing could beat that overwhelming moment of opening the final book, and its spellbinding combination of story, illustration and design.

It is no surprise that everyone who opens this beautiful, powerful, and timely book falls in love with it. And yet, I can still hardly believe that the producers at Like A Photon immediately felt the same way. Like A Photon Creative are one of the most exciting studios working in the world right now, and I have long admired their energy and passion for every project they take on. I can’t wait to see them work their magic on The Giant and the Sea.

Trent Jamieson is an editor, bookseller and award-winning writer of science fiction and fantasy, including the Death Works series and Roil duology. His 2015 novel, Day Boy, won the Aurealis Award for Best Fantasy Novel 2015, Aurealis Award for Best Horror Novel 2015, shortlisted for the Ditmar Award for Best Novel 2016 and Courier-Mail’s People’s Choice Queensland Book of the Year 2016, and longlisted for the International DUBLIN Literary Award 2017. He has published over 70 short stories, two of which have won prestigious Aurealis Awards.

Rovina Cai is an illustrator from Melbourne, Australia. Her illustrations evoke a sense of intrigue; images that make you linger, hungry to know the story behind them. She has a degree in Communication Design from RMIT University in Melbourne, Australia, and an MFA in Illustration as Visual Essay at the School of Visual Arts in New York City. Tintinnabula, her first picture book, with acclaimed author Margo Lanagan, was published in 2017 and won the CBCA Crichton Award for New Illustrators. Her work can be seen at rovinacai.com.

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Shaw farewells AAPS to start own agency

Alex and Martin 2019After five years working under the umbrella of Alex Adsett Publishing Services, Martin Shaw has today announced he is establishing his own literary agency, Shaw Literary, and will continue to build a stable of authors under his own banner.

Martin joined AAPS as a literary agent in 2015, after he left his position as chief book buyer at Readings to move to Germany with his family. Over the past five years, Martin has worked with authors such as Angela Meyer, Favel Parrett, Meg Mundell, Rodney Hall, Wayne Marshall and Patrick Allington, and more. He has become one of Australia’s most notable agents for high literary fiction, and we are proud to see him expand this success into his own agency.

Martin said today via twitter:

Announcement time! After several years now of having the privilege of making my own tiny contribution to the stable of @alexadsett – hands down Oz’s No. 1 literary agent! – I’m delighted to announce the launch of my own humble agenting venture:@ShawLiterary!

Shaw Literary will continue to have close ties with AAPS and we wish Martin the very best of luck. He can be reached at www.thebooksdesk.com.

For more information on submissions, please visit our Submissions page.  Notwithstanding the normal submission rules, Alex is looking for all genres, including literary or commercial fiction with a great narrative, narrative non-fiction, and genre fiction with a fresh perspective.

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